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  • Fall Leaves Fall

    Fall Leaves Fall

    It could be a simple statement of fact: “Fall leaves fall.”  It is what happens every year.  It could be a direct request: “Fall leaves, Fall.” as if we could somehow encourage this to happen. 

    I see it as a celebration: “Fall leaves fall!”  

    This installation celebrates the symmetry of drawing from the soil, the ground water and sunlight set beside the death and decay as the leaves become mulch and nutrition. 

    We may call it a design or a happy accident.  It happens without us, though we through our lack of care could disrupt it. 

    Isn’t it better to celebrate and enjoy the benefits?

    These leaves are cut from trees felled from the grounds here at the Farley Center.  The leave shapes are from this tree.  The colors are from the weather and natural stains. 

    I hope this work directs your attention to the annually repeated process all around us.

  • Natural Stains

    Natural Stains

    I’ve been experimenting with natural stains for wood. Many woodworking products are toxic.  My first level has been with copper, pickled beets brine and coffee.

    This did give a good flat color, which allowed the varied wood to show through. However, nature is varied. Leaves have streaks and spots. So I’m trying a second richer level.

    Martha Stewart published some articles on natural stains and ink. I took turmeric and beet powder which came from our food coop and added salt, vinegar and boiling water. The coop was out of spinach, so I am trying parsley, blended until fine with salt and vinegar.

    My plan is to use a small chip brush to paint and flick these colors on as a second level of color.

    After first coat

  • Fall Leaves Progress

    Fall Leaves Progress

    It’s two weeks to installation.  I’m working on layout.

    And color. This is a sample from using locust bean pods, beets, copper and coffee. The copper extraction paints on clear then changes green. I’m setting the sample out in the sun to see what happens.

    Next is assembly. Stay tuned.

    Test of natural stains.

  • Downtown Paint Around

    Downtown Paint Around

    I’m submitting these two views of the Cathedral to the Downtown Paint Around at River City Gallery.

    “St. Joseph’s”
    “Oversight”

    Two views of one of La Crosse’s most prominent buildings.

    Submissions will be at the Gallery through August.

    “St. Joseph’s” is watercolor, “Oversight” is acrylic.

  • Down Town La Crosse part 2

    Down Town La Crosse part 2

    This is another view of the Cathedral. I like how it looks behind a theater and a food court.

    5th and Jay

    This painting will be in acrylic. This is my first try at Plein Aire acrylic. It requires quick work, at least on this hot July day.

    Bugs, busses and a large pickup combined to end my sight line. I learned that acrylic dries FAST. The detail work is next. And I’m working on a title, “Fun, Faith, Food” is the working title.

  • Down Town La Crosse, part 1

    Down Town La Crosse, part 1

    River City Gallery is sponsoring an event called “Downtown Paint Around”. All week artists are invited to paint in any medium within a mile of downtown.

    I’m planning to do a watercolor and an acrylic painting centered on the Cathedral of St. Joseph of the Workingman. Well, isn’t that a great name to a church? St. Joseph is even holding a saw and a wood chisel.

    Monday is a hazy morning, so no sky drama. I’m doing this as an ink and watercolor in a 6×8 format

    While working two people stopped by to chat, one is a member who gave me some history of recent upgrades to the building. The rectory is original and the cathedral was built in the 1960s.

    Mostly complete.

  • Earth Connections progress

    Earth Connections progress

    “Fall Leaves Fall” is the name of my installation at the Farley Center’s Earth Art event this year. I am working on oak leaves cut from wood sourced and milled on the site. The leaves shapes are actual leaves from my chosen location that were found while locating where the installation will be placed.

    Leaf Templates

    I will either make a mobile or linked clusters of falling leaves. Mobiles are difficult in an outdoor setting. I hope to solve that by using wires formed into links, which should spin less than using string.

    Here are the first leaves cut on a bandsaw.

  • The Rock

    The Rock

    We attended an event about pollinators at Justin Trails Resort near Sparta. On the top of a ridge is “The Rock”.

    The Rock

    The picture is in acrylic with trees made from cast off fabric from my wife’s quilt stash.

    In progress

    Acrylic paints allow for endless layering. Here is the result.

    The Rock
  • Abstract Clematis #1

    Abstract Clematis #1
    From our garden
    Clematis #1

    Abstraction is not as easy as it appears. The first three tries ended up being representational.

    This time I used the colors of the plant in rough proportion to the original image. Using pallet knives and a process of pressing painted plastic wrap into the image.

    I’m staring at the result to see if it is done or not

  • Working towards Abstraction

    Working towards Abstraction
    Bleeding Heart
    A neighbor
    First try,
    Second try
    Garden rock

    It helped to think of subtraction. Subtract detail, scale and color. Notice shapes. A pallet knife helped by forcing details out.

About Me

I am a student of the Word and the World around us. These TWO BOOKS, World and Word or Nature and Scripture are the focus of these reflections. I am a retired pastor and a practicing artist and writer, now living in LaCrosse, WI, between the bluffs to the East and the Mississippi to the West. David E. Carlson

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